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Existen muchos libros y cursos sobre el trabajo en madera. Cualquiera de ellos puede ilustrar la mayor parte de los trabajos comunes. Hay que tener en cuenta que buena parte de la dificultad del trabajo de taller no consiste en saber cómo hay que hacerlo sino en dominar la técnica y disponer de las herramientas y tiempo necesario para lograrlo.
Las uniones de piezas de madera no sólo son necesarias para conseguir piezas de mayor tamaño, sino que debido a que la madera sufre movimientos heterogéneos debido a los cambios ambientales, una adecuada selección y combinación de los cortes y dirección de las vetas, permite que el conjunto resulte más duradero.
Se denominan acoplamientos a las uniones realizadas por el canto para dar como resultado una pieza de mayor anchura. Pueden hacerse con rebaje a media madera, con rebaje machihembrado, mediante alma (las dos tablas con hendidura hembra y un alma que hace de doble macho), con galletas internas (similar al alma, pero no continua sino intermitente y normalmente ovalada o con llaves (como galletas externas puestas en una sola cara normalmente con forma de doble cola de milano).
Un empalme consiste en unir dos piezas por sus extremos dando como resultado una pieza de mayor longitud. La resistencia del empalme depende en gran medida de si la pieza va a estar en horizontal o vertical, de si la carga la va a recibir de frente o de lado y de si ésta va a ser de compresión o de tracción.
Los empalmes pueden hacerse a media madera con testa recta o en sesgo con o sin refuerzo de tornillos, con llave de cola de milano, con espigas redondas internas, a horquilla (como un machihembrado grueso simple o doble), con dientes triangulares (como un múltiple machihembrado triangular), etc.
La unión de dos piezas formando un ángulo puede realizarse por simple superposición clavada o pegada o mediante un ensamble, que consiste en rebajar una de las piezas en una zona llamada caja y en crear en la otra un saliente o espiga que encaje perfectamente en la hendidura.
Si el ensamble se produce en los extremos de ambas piezas el resultado es un ángulo. Pero si el extremo de una pieza se ensambla con la parte central de a otra se crea un ensamble en T.
Los ensambles pueden ser a media madera a todo lo ancho, de palma o entalladura (la caja no ocupa todo el ancho de la pieza y por tanto es menos visible, a nedia madera en cola de milano, con caja de secciòn trapezoidal, mediante clavijas, a inglete con o sin clavijas, en cola de milano por la testa, etc.
Woodworking joinery is the craft of connecting and securing the separate members of the wooden construction to one another by means of specific cuts on the ends and/or sides of the members. Woodworking joint is the spot where the two pieces of wooden construction are joined together to form a rigid self supporting and permanent construction. Woodworking joints can be formed between the edges or between the end and the face, in the direction of the length, at right angles or it may be at an angle, other than a right angle. Various glues or fasteners (nails, screws, bolts…) are being used to increase the strength, effectiveness and rigidity of woodworking joints. Since the main purpose of woodworking joints is to join wooden parts together, their construction should be done carefully, so it would not weaken the parts that are joining.
To be able to successfully design your wooden construction is necessary to bear in mind two things: to know the right woodworking joint to use, and to know how to make that woodworking joint in the right way.
In order to finish some woodworking project you will have to take a large number of actions like project design, wood selection and preparation, finishing, but durability and sturdiness of your wooden construction will mostly depend on the choice and the manufacture of woodworking joints.
Every woodworking joint must fulfil important requirements:
On some constructions the visual appearance is also important, so an additional requirement for woodworking joints is to be either decorative or unnoticeable. In both cases the woodworking joints must be properly and accurately crafted.
Each of these joints has a name and is usually some variation of a hole or slot on one timber, and a corresponding, matching projection on the other.
The purpose of our woodworking joints category is to introduce the basic types and methods of making woodworking joints to the amateur carpenters, and for the experienced carpenters to serve as a reminder, or to expand certain knowledge in this field, if needed.
There are many types of woodworking joints; some can be made easily and the others are quite difficult to make, but the practice will show you that the more complex the woodworking joint is, the stronger it is.
The quality woodworking joints can be manufactured with the hand tools, but if you need high productivity, you will have to rely on machines and power tools.
Woodworking joints can be divided into three categories, depending on the functions they perform:
A bridle joint is similar to a mortise and tenon woodworking joint, thought in most circumstances it would not be as strong. It is open ended mortise and tenon joint. A bridle joint is quick and easy to make, since most of the waste wood is removed with a saw.
| DIMENSIONING BRIDLE JOINTS | |
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| Bridle joint | Double bridle joint |
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| Triple bridle joint | |
A butt joint is made by placing the end of one piece of wood against the side of another and fastening them firmly to each other. A butt joint is not very strong joint, but it can be reinforced in a number of ways.
| DIMENSIONING BUTT JOINTS | |
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| Edge to face butt joint reinforced with dowels | End to edge butt joint reinforced with dowel |
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| Edge to edge butt joint reinforced with spline | |
Edge to edge butt woodworking joint
Edge to face butt woodworking joint
End to edge frame butt woodworking joint
End to face butt woodworking joint
Face to face butt woodworking joint
A cleat is a piece of material fastened across the width of a board to prevent its warping and to reinforce the butt joints between the boards. If the surface is composed of several pieces, the cleat is also designed to hold them together. It may be applied to the back of the pieces, or across the ends. As the grain of the cleat is at right angles to that of the surface to which it is fastened, and since wood shrinks and swells more across the grain than with it, there is likely to be some movements of one on the other, and the fastenings used to secure the cleat should be of such a nature as to allow it. Otherwise, the edges of the board will be rigidly held, and shrinkage will result in the formation of large cracks, by the splitting of the board somewhere near the center. Screws are undoubtedly the best fastenings, as they will yield, to some degree, without becoming loosened. nails frequently answer every purpose; and dowels are sometimes used. Glue is unserviceable. When it is used alone, the cleats soon drop off; and when used with other fastenings, it either gives way entirely, or breaks at intervals, causing local cracks.
Side cleating is the more effective of the two methods, because the cleat may be larger and, for this reason, the fastenings be applied to better advantage. But, when exposed to view, side cleats are unsightly, and are often objectionable because they increase the thickness of the piece as a whole. The proportions of the cleat may vary with the duty expected of it.
Do not put the screws or nails in a straight line, but "stagger" them.
If the pieces are short they can be cleated across the ends. End cleating is not so strong, but the cleats are out of the way and do not increase the thickness of the piece. To supplement the fastenings, a narrow tongue may be formed on the board to fit a corresponding groove in the cleat. Grooves can be cut in both cleat and board, and a tongue or spline inserted. These operations are done best bu machinery. End cleating does well on small work and where the tendecy to warp is not too great. For heavier work, as doors, cleats on the side are stronger, though not always desirable.
A dado joint is made by cutting a rectangular groove entirely across one member into which the end of another member fits. Dadoes are cut across the grain of the wood.
| DIMENSIONING DADO JOINTS | |
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| Tongue dado joint | Through dado joint |
A Butterfly joint is a type of woodworking joint used either to hold two or more pieces of wood together or to keep two halves of a board that have already started to split from splitting further. A butterfly joint resembles two dovetails connected at the narrow part.
Butterfly key joint
Dovetail joints are so named from the shape of the piece which make the joint. This is propably the strongest method for joining two pieces of wood. The strength of the dovetail joint comes from the interlocking of the parts. There is a great variety of forms of dovetail joints.
| DIMENSIONING DOVETAIL JOINTS | |
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| Through sliding dovetail joint | Through dovetail joint |
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| Dovetail joint angles | Space between tails and pins |
Through dovetail joint on carcase work
Blind dovetail joint
Lap dovetail joint for drawers
Blind secret mitre dovetail joint
Corner through dovetail joint
Dovetail spline joint
Dovetailed keys joint for wide surfaces
Through sliding dovetail joint
Half sliding dovetail joint
Stopped sliding dovetail joint
Place the pieces in the position shown in Fig. 1; the upper piece is to have the tenon, or dovetail, the lower the mortise. With try-square and sharp pencil, mark lines around three sides of each piece, at a distance from the end equal to the width of the opposite piece, as shown at a, Fig. 1. These pencil-marks should be very light, so as to be easily cleaned off with sandpaper or smoothing plane.
Set the gauge at W, and mark the lines bb, Fig. 2. Set it at Q, and mark the lines b’b’. Set it at X, and mark the line cc, and press the point only of the gauge at d, d. Set the gauge at Y, and mark the line c'c', and the points e, e. Bring the edge of the blade of the try square to coincide with the lines b and c on the end of the mortise piece, and mark with the knife a line joining them. Do the same for all the oblique lines, as shown in Fig. 1.
The tenon or dovetail (a, Fig. 2) is sawed out, and the sides of the mortise b also cut with the saw. The mortise is finished with the chisel. A vertical cut is made as at a, using the mallet, then one at b; these to be repeated until one half through the piece, then cut on the opposite side. Avoid cutting into the sides of the mortise by inclining the chisel. The same caution must be observed in keeping some of the wood at c, until the last, when it is carefully cut away, and the surface tested with the try square.
The sides of the mortise usually need a little paring before the tenon will fit. This done, the pieces should go together easily, but without play or open joints.
The joint ought to go together by light driving, and be perfectly square on the indide between the working faces. If it is found to be satisfactory, take it apart, apply a light coating of glue, and drive together again. When the glue is hard, the joint may be sandpapered and squared.
Laying out and cutting the dovetails
In making a dovetailed joint, some woodworkers layout and cut the pin, a, first, which necessitates that the tails, b, should be marked and cut one at a time. Good results may be obtained by this method, but it is slow, and is rarely used upon practical work. The common method used by woodworkers is to saw the dovetails, b, first, and mark the pins by the tails. If two or more joints are to be dovetailed alike, the sides may be made into a bunch, and all sawed at once.
2. Gauge upon each side from these ends, the distance, C, or the thickness of the piece to be dovetailed. It is very necessary to square the lines from the face-edge, otherwise the joints are likely to be open on one side or the other.
3. Place the dovetail piece, in the vise, end up, and face side toward the workman, and on its squared end lay off lines as mn.
4. Having marked the lines mn, the slanting sides of the joints are marked with the knife along the sliding T bevel set to a certain angle. If the angle of the tail is too sharp, it is apt to be broken off when the pieces are driven together.
5. Saw with a backsaw, in every case leaving the line of the piece which is wanted.
6. Lay the pieces face down upon the bench, and with a chisel narrower than the bottom of the cut, make one cut, as at a. This will minimize the tendency of the chisel to push back, so that when the next cut is made upon the line d, the wood will break into cut a, as at b, instead of pushing the chisel back of line d, as at c, which will probably happen if cut a is omitted.
8. Turn the piece over, face up, and make the cut from that side; clean out the chips, or core.
Marking and cutting the pins
1. Place the dovetail piece, in the vise in a vertical position.
2. Place the pin piece upon the end of dovetail piece, as indicated. It is important that the mark d (which is the same as d in previous steps), should exactly coincide with the corner, or the back side, of pin piece.
3. With backsaw, cut down to lines g, as shown by double lines, being careful that in every case the cut is made outside of m and n, or that these lines are left on the pin.
4. Turn the piece over in the vise so that the cuts p, g may be made in each edge. These should be made exactly to the line upon each surface of the cut, with a backsaw. This will cut out the corner, t. If the work has been accurately done, these corners should not be touched again.
5. Clean out the spaces, r, with a chisel by the same method used in cutting the tails.
6. If the work has been done with sufficient accuracy, there will be no need of trimming either the pin or the tail to allow the two pieces to come together and make a perfect joint. To attain this accuracy should be the ambition of each beginners, as the skilful woodworker must be able to make dovetails rapidly, surely, and without trimming. In cutting the pins, the amateur is quite as likely to cut inside as outside of the lines, thus making the pins too small; this tendency should be guarded against, and the pins, s, left the exact size desired. In every case, the saw cut should be made with such care that chiselling or fitting will be unnecessary, as it is quite as likely to injure as to improve the dovetail joint.
7. The inside of both pieces should be smoothed and sandpapered before being put together permanently; and care should be taken not to plane any off of the back side of the pins, or they may be too small. If the pins fit too closely, with a hammer bruise the corners of their ends a little, where they enter the space between the tails; this makes them a little smaller, but when they are glued together, the moisture of the glue will swell the pins to their normal size. Glue the pieces together, being sure that the angle of the joint is square; apply the glue sparingly. If the work has been done accurately, the dovetail joint should be so tight that when it is set away for the glue to harden, it will hold itself together without the aid of hand screws; though if necessary, these may be used judiciously.
8. Smooth and sandpaper.
A finger joint or box joint is used to join two pieces of wood at a corner. It is similar to a dovetail joint except that the pins are square and not angled.
| DIMENSIONING BOX JOINTS | |
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| Box joint | |
A half lap joint consist of two members notched to half thickness and lapped on each other with the face flush.
| DIMENSIONING LAP JOINTS | |
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| Edge to Edge half lap joint | |
Half lap joint terminology
Corner half lap joint
Oblique halving joint
Corner half lap joint with double dovetail
Cross halving joint
Oblique cross halving joint
Cross halving joint with housed corners
T half lap joint
Tee halving joint
Blind half lap joint
Edge half lap joint
Full half lap joint
Dovetail half lap joint
Dovetail halving with shoulder
Stopped dovetail half lap joint
Half lap joint with one side dovetailed
Stopped half lap joint with one side dovetailed
Mitered half lap joint
Carpentry tie half lap joint
Cross rail and upright halved joint
Halved joint on barrow wheels
Halved moulded joint
Interlocking cross half lap joint
Keyed dovetail half lap joint
Three member half lap joint
A miter joint is one formed by the meeting of two pieces at a corner, on a line bisecting the right angle. The same class of joint maz be used on angles greater or less than 90 degrees.
Edge miter joint
Edge miter joint reinforced with biscuits
Edge miter joint reinforced with dowels
Edge miter joint reinforced with spline
End miter joint
End miter joint reinforced with biscuits
End miter joint reinforced with dowels
End miter joint reinforced with spline
Frame miter joint
Frame miter joint reinforced with biscuits
Frame miter joint reinforced with dowels
Frame miter joint reinforced with spline
Feather spline miter joint
The miter (mitre) joint is extensively used in door and window making, cabinet making, box making, joining of architraves, picture frames, and all sorts of mouldings.
The only advantage of a mitred joint is that it shows only a line at the angle and that the end wood is canceled. The miter joint is not a good joint for wide pieces used flatways, for the wood will expand and contract more or less. Shrinking in width will open a tapering crack from the inner corner; swelling, from the outer corner.
There are some cases, as in making a picture frame of moulding, where mitring is the only way in which the frame can well be put together, but as a rule, particularly where strength is required, avoid the mitre.
A miter joint can be laid out and cut on rectangular stock without the use of a miter box. However, stock with curved edges or surfaces requires the use of the miter box. In any case, the miter joint can be made more quickly and more accurately when a miter box is used.
Marking a miter joint
In making miter jointed frames, etc., take special care to have the face side and face edge straight, square, and out of wind, and then be particular to draw all lines and make all tests from the face side or face edge.
Marking a miter joint - Method 1
Mark with the try square and knife two lines across the middle of the strip from A and E. Measure carefully the length AB, and lay it off on the face edge, to obtain AC, then mark with the knife and blade of the try square, CB. Do the same on the opposite side for the mark FD. From C and D mark lines on the side square with the face edge.
Saw very accurately against the lines CB and DF
Marking a miter joint - Method 2
The easiest way for the woodworker to get the correct angle is to draw a square at the end of the piece and then draw the diagonal.
The point A is as far from point C as the point B is from the point C, or the distance AC is equal to the width of the piece.
Marking a miter joint with a sliding T bevel
When several miters are to be cut, sliding T bevel may be set to the 45 degrees and the other miter lines drawn with it.
Marking a miter joint - Method 4
To lay out a mitre, or the lines for the meeting of two pieces at any angle, the pieces can be laid one above the other at a desired angle (for which square or bevel can be used), and the points of crossing marked on each edge. Lines connecting these points will give the angles for cutting.
Fastening a miter joint
Nails, or nails and glue are often used to fasten a mitered joint. If the joint cannot be clamped securely for nailing, allow for slippage.
The vise can be used successfully for nailing a picture frame joint.
When nailing a miter joint from both sides, place the nails so they will not strike each other and split the pieces.
The mitre joint is sometimes strengthened for box work and the like by fitting a spline or tongue with the grain running across and not lengthways of the joint. This, properly glued under pressure, makes a good joint and one much superior to the plain miter joint.
Mitered dowel joint
Dowels with glue are also used for fastening a miter joint.
Measure the exact width of the piece and lay off, near one end, a perfect square, having as its sides two pencil lines and the two opposite edges of the piece. ( It is not wise to measure from exact end of the stock, even though it is square, as it makes the work of sawing more difficult.) Continue the two pencil lines around the piece with the try square until they meet on the last corner. Repeat this construction on the other end of the piece.
Using the edge of the try square as a straightedge, with a sharp knife draw one diagonal in each of the squares thus constructed. Be very careful to make the diagonals on the opposite sides agree with each other. The work will then be ready for cutting out.
The work of sawing at an angle of 45 degrees is exactly the same as in squaring an end, except that it is a little more difficult to hold the work and start the saw correctly. When the sawing is finished, part of the knife lines should remain. The ends should be smoothed to a perfect surface with the block plane.
Next, measure the required length of each piece from the acute angle and separate the pieces. To test the work, place the two halves of the joint together in the inside angle of the try square. If they do not form a perfect right angle, examine them carefully and find out what is wrong. If they require trimming a little more with the block plane, work them separately. Never try to plane them both at the same time. A sliding T bevel is a useful tool for testing these aangles. It can be set to agree with the lines before the joint is cut out and then used later on to test the finished work. The work of constructing an angle of 45 degrees is explained fully here because a woodworker must understand it. If he has a sliding T bevel, he can set it to the angle thus constructed and use it in the same manner as the try square for constructing the second half of the joint.
Fastening: The thin piece which is set into the corner is called a feather spline. The joint is held together in the vise or with a clamp, and cut is made across both parts of the miter joint at the same time at right angles to the miter joint. The cut can be made with a coarse ripsaw, if one is on hand, or by making two cuts with the backsaw. The spline is made by ripping a thin piece from the edge of a block. For convenience in planing, the piece should be considerably larger than the required finished dimensions. Next, both faces of the joint are covered with a thin coating of glue. The inside of the cut which is to receive the spline is also coated with glue. The joint is then put together and clamped until the glue is dry. The clamps are then removed and the surfaces cleaned by taking a light shaving from them with the plane. Clamps should never be applied directly upon a finished surface. When the miter joint is glued, a thin piece should be placed on each side of the work. The clamp is then tightened and the joint driven together with light blows of the mallet. The grain in the spline hould be at right angles to the miter. After the glue is dry, the projecting ends of the spline are cut off flush with the surface.
A mortise and tenon joint is the method of joining by forming a solid rectangular projection in the one piece and cutting a corresponding cavity to receive it in the adjoining piece. The cavity is called mortise and the solid projection is called the tenon. There are a great manz modifications of this joint.
Tenon and mortise terminology
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| Tenon terminology | Mortise terminology |
Through mortise and tenon joint
Corner through mortise and tenon joint
Blind mortise and tenon joint
Corner blind mortise and tenon joint
Angled haunched mortise and tenon joint
Angled haunched barefaced mortise and tenon joint
Application of haunched tenon joint to door frame
End wedged through tenon and mortise joint
Wedged through tenon and mortise joint
Barefaced blind tenon and mortise joint
Haunched tenon and mortise joint
Interlocking tenon and mortise joint for seat rails of chair to leg
Long and short shouldered tenon and mortise joint
Loose tenon and mortise joint
Open through tenon and mortise joint - Bridle joint
Round tenon and mortise joint
Tenon and mortise joint with mitered face
Tusk tenon and mortise joint
Twin tenon and mortise joint
Twin tenon and mortise joint for thick timber
Tenon and mortise joint reinforced with dowel
Tenon and mortise joint for fencing
Skewed tenon and mortise joint
Self wedging tenon and mortise joint
Drawboring - Pinning the tenon and mortise joint
This kind of fastening is used chiefly on heavy framing where strength is the most important thing to be considered.
To pin a mortise and tenon, mark a point with try square and gauge upon each side of the mortise piece, fit the tenon in place, bore a hole, drive through a snugly fitting pin, and trim off the projecting ends. In fine work bore from both sides. The pin should be slightly pointed before driving.
If the pin is too far from the edge, its hold on the tenon will be weak and the end of the latter may break out (shear), If too near the edge, the sides of the mortise may tear or split off.
Pins are employed principally as a means of holding tenons in mortises. In carpentry one pin, generally, is used in each joint, its diameter varying from1/6 to 1/8 the width of the tenon. It is commonly placed at a distance from the abutting cheeks of the mortise, equal to 1/3 the length of the tenon. But to secure the maximum strength of the joint, its exact location in any particular case must be fixed with reference to the character of the material, and also to the relative thickness of the tenon and the cheeks of the mortise. In joinery, it is found best to use two or more pins, and, whatever the proportions of the joint may be, these rarely exceed 10mm in diameter. They are inserted very near the abutting cheeks of the mortise, so that part of the mortise between them and the shoulder of the tenon, will not shrink enough to make an open joint. Square pins are better than round ones, but the latter are more easily fitted and, therefore, more used.
Pinning the mortise joint
Bore with a bit through the face of the piece and mortise. The hole is not bored all the way, but when the point shows through, turn the piece around and bore from that side to complete the hole. By this means a clean cut is made on both sides of the piece.
Place the tenon in the mortise and mark the center of the hole on it with the point of the bit. Remove the tenon, and start the bit about 1mm nearer the shoulder. The hole thus bores is not in a line with that of the mortise, but when the pin is forced through, the pieces are brought closer together, forming a stiffer and stronger joint.
For large through mortise joints, such as are seen in the heavy frames, two pins are used.
The practice of drawboring is not to be commended, and, if indulged in at all, great care and discretion must be exercised. In many cases, it puts a strain on the joint which is nearly equal to its maximum resistance, and but little strength is left to do work for which the joint is made. Frequently, the mortise or tenon is split and rendered practically useless.
Blind wedging is sometimes resorted to when the mortise does not extend through the piece. The wedges must not be so long as to break off or to interfere with the tenon being driven home, and the bottom of the mortise should be quite smooth where the wedges strike it, or the wedges may turn to one side and not enter the tenon. The mortise is enlarged at the bottom. When everything is ready, apply the glue, start the wedges in the cracks, and drive the tenon to place. This will push in the wedges, spread the tenon at the end and fix it firmly. If well done, it cannot be withdrawn.
Directions for key hole
A second method of laying out the mortise in the tenon consists in locating the ends of the mortise by placing the key and scribing along the sloping side. These lines are then squared across the two surfaces of the tenon. The remainder of the procedure is similar to that just described.
To make the keys, get out one piece of the required size and long enough to make all the keys wanted. Saw them to length, gauge the small ends, mark the taper on the sides, and cut to the lines. They can also be got out in one block, tapering, and then sawed into the required number of wedges; or a rectangular block of the necessary size can be sawed slantingly.
A rabbet is a recess cut out of the end or edge of a board. When a piece is butted into a rabbet, it is called a rabbet joint.
| DIMENSIONING RABBET JOINTS | |
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| Rabbet joint reinforced with dowels | |
A scarf joint is formed where two pieces lap each other in the direction of the grain, with flush surfaces. This joint is so constructed as to resist tension and compression.
| DIMENSIONING SCARF JOINTS | |
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| Half lap scarf joint reinforced with dowels | Tabled scarf joint |
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| Scarfed joint purlins reinforced with dowels | Scarf joint reinforced with dowels |
Scarf joint
Half lap scarf joint
Dovetailed scarf joint
Tabled scarf joint
Bridle joint
Tenoned scarf joint
Double tenoned scarf joint
Edge halved scarf joint
Lapped scarf joint with bolts
Plated scarf joint
Scarf joint with Vee'd ends
Tabled scarf joint with straps
A tongue and groove joint provide a mechanical means of joining the edges of narrow boards when forming a wider panel.
| DIMENSIONING TONGUE AND GROOVE JOINTS | |
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| Tongue and groove joint | |
Double tongued and grooved joint
Tongue and groove joint for nailing
Tongue and groove joint with bead
Tongued Grooved and Veed joint - chamfer
Tongued Grooved and Veed joint - radius
Tongued Grooved and Veed joint - radius with bottom
Dovetailed tongue and groove joint
Double dovetailed tongue and groove joint
The utmost accuracy is necessary in marking the centers of the holes and boring them, if satisfactory results are desired.
As compared with a mortised joint, when used upon common doors, the dowel is not so satisfactory as the mortise, because the tenon reaches through the stile, and the glue, collecting at the joint as the pieces are brought together, makes a stronger connection there than at the end of the tenon at the outside of the stile; therefore when the stile shrinks, it usually holds at the joint, and its outside edge draws toward the joint, allowing the end of the tenon to project beyond the stile the amount of the shrinkage. In a doweled door, the joint would probably open. If a door which is exposed to the weather is properly doweled, it will stand better than a mortised door in which the tenon passes through the stile, since in the latter case, the moisture will quickly find its way into the end of the tenon, and the door will be rapidly destroyed. The mortises of an outside door should be of the type known as "blind" or "fox wedging", as in this way the end of the tenon is protected from the weather.
When used upon furniture and other work which is set up in a warm shop, and when made of thoroughly kiln dried lumber, a properly made doweled joint is perfectly satisfactory.
Plane the surfaces of the blocks until perfectly flat, test them by bringing the surfaces in contact, and note whether they touch all around. The dowel joint is a weak one, and, unless the surfaces are flat and brought in close contact, the dowels will be of no service in holding the pieces together.
A beginner often makes the mistake of leaving a slight error in fitting and expects the clamps to squeeze the edges together. This can actually be done with softwood; but such a correction is only temporary and the bad joint is sure to open up later on, after the clamps have been removed.
Marking for dowels
Method 1.
The principal application of this method is in doweling the joints of a wide board.
1. Place two pieces in the exact relative positions that they are to occupy permanently.
2. Make a pencil mark across the joint upon the faces of both pieces at once, as at AA.
3. With either a pencil or knife, square across both edges of the joint from the marks, as at BB.
4. With a sharp gauge, make mark C, whic crosses BB. The intersection of these two lines gives the center of the hole.
5. A scratch awl should be used to make a small hole at the above described point, so that the bit will enter accurately, as otherwise it is apt to enter a little to one side of the intersection, or to follow the grain.
This method of marking for dowels is sometimes used when it is not practicable to use method 1, as in doweling irregular forms.
1. Drive small brads, straight into the end of piece A.
2. Cut off the heads of the brads at about 3 - 4mm from the wood.
3. Move piece B against A, being careful that the outsides are in just the right relation to each other, and apply enough pressure to make the brads leave imprints, in the end of piece B. These are the centers of the dowel holes.
4. Pull the brads out of piece A; the holes thus made are the centers of the dowel holes in that piece.
If it is desired to dowel irregular forms, or to make a number of joints just alike, this method will not give good results and save a great deal of time, but the pieces just alike will be interchangeable.
Make a templet of pasteboard; or, if it is to be used indefinitely, of steel, and through it prick small holes in the position which will denote the exact centers of the desired dowels, as at A. Place the templet upon the end of piece B, with the corner C of the templet at C of piece B, and flush with the face side; with a pricker, mark through the holes of the templet the centers of the dowels 1,2. Place D of the templet on the edge of piece F, and flush with the face side, so as to coincide exactly with D of piece F. Through the holes A of the templet, mark 1,2 upon the edge of piece F. This method is much used upon large or irregularly shaped work of all kinds, as it permits of accurate work, and needs no tools but the templet and the pricker.
Place the boards to be doweled side by side in the vise, the face sides out, and even the joined edges. Square lines across the two edges with knife and try square at points where it is desired to locate dowels. Set the gage for about half the thickness of the finished board and gauge from the face side across knife lines. At the resulting crosses bore holes of the same diameter as that of the dowel.
Method 5
This can be done best on a turning lathe; but if the shop has no lathe, they can be made by hand. A square stick is first prepared. This is rounded with the block plane, turning the stick with the left hand and planing with the right hand until one half of its length is rounded. The piece is then reversed and the other hanf is rounded. In connection with this work it is best to try the dowel pin first by boring a hole of the required size in a piece of scrap lumber. The rounded stick should fit tightly by light driving. When finished, the stick is cut into the proper lengths and the ends are slightly chamfered so that they will enter the holes without wedging.
An appliance called a dowel plate is often used for making dowel pins, and is very useful. It consists of a steel plate with holes of various sizes bored through it. The edges of the holes are countersunk so that they have a sharp edge on one side of the plate. The dowel stick is partly rounded and then driven through the hole in the plate. The edges of the steel plate scrape off the remainder of the waste material and make the dowel stick round.
Gluing the dowels
It should be clamped at points about 150mm apart. The clamps should pull evenly and not bend the boards side ways. This can be prevented by putting the clamps on alternately first from one side and then from the other.
It is not wise to use a dowel longer than is necessary; one extending from 20mm to 30mm each side of the joint will holds as well as one reaching farther into the edge of the side wood, for the reason that the wood between the joint and the end of the dowel will shrink, and the longer the dowel, the greather the width of wood there is to be affected. A longer dowel may sometimes be necessary in the wide stile of a door, to give sufficient strength to resist the slamming which a door receives. A dowel should be 1 - 3mm shorter than the aggregate depth of the holes which are to receive it, and should be made loose enough to be pushed in with fingers, but not loose enough to fall out or to be rattled around. The ends of the dowel should be chamfered. This allows some of the glue to be forced up between the dowel and the side of the hole, and not all pushed before the end of the dowel, which would be the result if the dowel were square ended; unless the dowel were too loose, in which case it would not have its full strength, as the joint would not be wood to wood.
In boring holes for dowels, it is custom of many workmen to use one of the many forms of bit stops upon the market,in order to insure a uniform depth to all of the holes. This uniformity is necessary, otherwise the dowels will have to be cut to different lengths, which will require care and time to locate in their proper holes while the joint is being glued up, just when every second of time is precious.
Dowels are usually made of hard, strong woods, such as maple or birch. They can be obtained from hardware supply companies at a reasonable price.
Dowelling mistakes
A - Dowels not properly centered
B – Dowel hole not perpendicular
The correct neck alignment on any guitar is extremely important: the outer strings have to run parallel to the fingerboard edges from the nut to the bridge and the neck center line should line up correctly with the body center line. If the neck is not mounted dead straight, parts of an outer string might end up off the fingerboard. The pocket that will accept the neck is best cut with a flush-trimming cutter bit with shank-mounted ball bearing. For this purpose you need an accurate 1:1 template of the neck shape. Such templates are commercially available for standard Fender-style necks but I find it difficult to fasten them correctly aligned.
Personally I prefer using a jig made up of two long, 19mm (3/4")-thick and about 50mm (2")-wide boards plus another short piece of wood to using just one template for defining the shape of the neck pocket. The straight edges required on the boards are easy to plane. As you will see in picture 1 the neck profile hasn't been shaped but the fingerboard is glued on and the neck blank is already trimmed flush to the fingerboard on the table router using a flush-trimming bit with shank-mounted ball bearing.


Place the neck in exactly the position it will eventually be in and fasten it on the body provisionally using a clamp and a clamping caul.

Then put the two straight, narrow boards to the left and right of the neck and clamp them to the neck at the 1st and 14th fret (the second clamp is missing in the picture above).

A rule taped down across the body in the bridge area - a zero-mark in the middle of the rule would come in very handy - helps to center the neck. If the guitar is to have a pickguard, fasten it temporarily for aligning the neck. The neck can now be aligned very accurately by lining it up on center with the body.

When the correct neck alignment has been found fix the position of the two boards by fastening each of them with two clamps at the lower body end. It is important that the four clamps are placed out of the way of the router. At the upper end of the neck the distance between the two boards is fixed by placing a short scrap board under the neck and across it. Fasten the board with two clamps.

Now insert a third piece of wood at the lower end of the neck. It doesn't matter if this piece doesn't fit in tight because the ball bearing of the cutter bit is large enough to not follow into any gaps in the corners. If the end of the neck is rounded off, the front end of the piece of wood has to be cut and filed accordingly to ensure it fits in. Since the piece of wood and the two boards are all 19mm (3/4") thick, it would also fit under a fingerboard that is longer than the neck. Fix the piece of wood with thin double-stick tape. Thick tape such as that used for fastening mirrors would be far too strong for this purpose and would make it very difficult to remove the piece of wood afterwards. Apart from that the marks left by such tape would also be very difficult to get rid of.


The two clamps placed on the boards right at the beginning can now be removed in order to allow removing the neck. And here it is an exact aligned 1:1 template for your ball-bearing cutter bit.

How thick the template has to be made depends on the length of your cutter bit - the ball bearing must obviously touch the edge of the template. Flush-trimming cutter bits with shank-mounted ball bearing are commonly 1" long. There are also 3/4"- and 1/2"-long bits, but these are less common and more difficult to get hold of. I use a 1"-long cutter bit, which is why the template has to be quite thick.
The depth of the neck pocket depends on the bridge used: when the saddles on the bridge are set to their lowest position the strings should touch the fingerboard. The pocket depth is therefore "thickness of neck plus fingerboard (25mm or 1") minus lowest possible saddle height".

Pre-drill the pocket to keep stress on the router bit to a minimum and clean it up with a chisel. If you use a brad point bit or a Forstner bit, always take its point into account. Lower the drill bit onto the wood until its point almost touches the surface. Now set the drilling depth just a little shallower, to be on the safe side. The depressions left by the point of the bit are finally routed off when you cut the pocket out in several passes.
A mistake commonly made when adjusting the router is to not take the thickness of the template into account. Put the the router on the template and lower the bit until it touches the body surface and then lock it. The cutting depth can now be set by putting a shim of appropriate thickness under the depth stop.

You can round off the neck end according to the radius of the router bit or you square up the corners of the neck pocket with a chisel. The tighter the neck fits into the body and the flatter the contact surfaces are, the better the sound transmission will be. But don't overdo it - if the neck fits in too tight it won't go in after finishing the neck.
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This way of making neck pockets (and much more) can be found in my books "Building Electric Guitars" and "E-Gitarrenbau"